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PORTRAITS<\/p>\n
[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row use_custom_gutter=\u00a0\u00bbon\u00a0\u00bb gutter_width=\u00a0\u00bb2″ make_equal=\u00a0\u00bbon\u00a0\u00bb _builder_version=\u00a0\u00bb4.0.6″ width=\u00a0\u00bb100%\u00a0\u00bb max_width=\u00a0\u00bb1208px\u00a0\u00bb custom_css_main_element=\u00a0\u00bbdisplay:flex !important;||flex-direction:row !important;||align-items:center !important;||justify-content:center !important;\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb3.27.4″][et_pb_gallery gallery_ids=\u00a0\u00bb3068,3383,3063,3390,3065,3394,3062,3066,3384,3054,3059,3055,3056,3064,3401,3050,3061,3378,3058,3067,3057,3052,3053,3049,3392,3051,3377,3060,3381,3386,3379,3389,3387,3380,3074,3071,3073,3072,3075,3402,3080,3076,3077,3069,3070,3079,3078″ posts_number=\u00a0\u00bb8″ show_title_and_caption=\u00a0\u00bboff\u00a0\u00bb zoom_icon_color=\u00a0\u00bb#7f7f7f\u00a0\u00bb hover_overlay_color=\u00a0\u00bbrgba(0,0,0,0.68)\u00a0\u00bb hover_icon=\u00a0\u00bb%%51%%\u00a0\u00bb _builder_version=\u00a0\u00bb4.5.3″ width=\u00a0\u00bb57%\u00a0\u00bb max_width=\u00a0\u00bb100%\u00a0\u00bb module_alignment=\u00a0\u00bbcenter\u00a0\u00bb min_height=\u00a0\u00bb100px\u00a0\u00bb height=\u00a0\u00bb602px\u00a0\u00bb max_height=\u00a0\u00bb584px\u00a0\u00bb custom_padding=\u00a0\u00bb||0px|||\u00a0\u00bb hover_enabled=\u00a0\u00bb0″][\/et_pb_gallery][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00a0\u00bb4.0.6″][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb4.0.6″][et_pb_text admin_label=\u00a0\u00bbTexte\u00a0\u00bb _builder_version=\u00a0\u00bb4.5.3″ text_font=\u00a0\u00bbRoboto||||||||\u00a0\u00bb text_text_color=\u00a0\u00bb#f9f9f9″ text_font_size=\u00a0\u00bb18px\u00a0\u00bb custom_css_main_element=\u00a0\u00bbmargin-top:100px;\u00a0\u00bb]<\/p>\n
Portraits (page 1 et 2)<\/p>\n
Peinture Cire et pigments \/ toile<\/p>\n
R\u00e9alisation : 2006 jusqu’\u00e0 aujourd’hui<\/p>\n
\u00c0 l’inverse de la fonction premi\u00e8re du portrait traditionnel, ces visages apparaissent, arrivent dans la mati\u00e8re et finissent par s’imposer. Portraits vus dans les mus\u00e9es, visages crois\u00e9s, Johanne Huysman\u00a0 ne les connait pas, mais leur regard invisible les lui rend familiers. Quelques r\u00e9sidus de m\u00e9moire qui reviennent \u00e0 la surface.Leur aspect inachev\u00e9, presque \u00e9vanescent, incite le spectateur \u00e0 combler les vides, \u00e0 imaginer et \u00e0 interpr\u00e9ter. Ces \u0153uvres, souvent empreintes d’une certaine abstraction, jouent sur l’id\u00e9e de suggestion plut\u00f4t que de repr\u00e9sentation. Les contours flous et les formes ind\u00e9finies laissent place \u00e0 l’imagination, permettant \u00e0 chacun de projeter ses propres \u00e9motions et exp\u00e9riences sur ces visages \u00e0 peine discernables.Qu’est-ce qui d\u00e9finit un portrait ? Est-ce la pr\u00e9cision des traits ou l’\u00e9motion qu’il suscite?\n<\/p>\n
<\/p>\n
Figures fugitives (page 4)<\/p>\n
Peintures : Cire et pigments \/ toile<\/p>\n
Comme dans la rapidit\u00e9 de l’ouverture de l’objectif d’un appareil photographique, Johanne Huysman trace ici d’un seul geste et d’une seule coul\u00e9e de cire un visage sur fond blanc. Une image s’imprime alors et le visage appara\u00eet dans toute sa vuln\u00e9rabilit\u00e9.<\/p>\n
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