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\u00a0\u00bb De l’autre c\u00f4t\u00e9 du miroir \u00ab\u00a0<\/p>\n
R\u00e9alisation : 1998 \/2005<\/p>\n
Mati\u00e8re : Cire pigment\u00e9e \/ toile<\/p>\n
Comment aborder un corps ?<\/p>\n
Par la cire qui s’apparente \u00e0 la chair de par sa douceur au touch\u00e9, sa mati\u00e8re sensuelle, elle laisse voir la transparence de toutes les strates dont le corps est compos\u00e9 : de son architecture, de l’ossature au muscle, de la peau aux \u00e9motions imprim\u00e9es, jusqu’aux humeurs, pour en arriver \u00e0 son image ext\u00e9rieur, et n’en avoir qu’un reflet.<\/p>\n
La forme de la \u00a0\u00bb Robe \u00a0\u00bb s’est impos\u00e9e comme support visuel identifiable. Une s\u00e9rie de grands formats tendus sur toile est dispos\u00e9e au sol comme de diff\u00e9rents miroirs. En position frontale et d\u00e9tache\u00e9s du mur les peintures donnent \u00e0 l’installation un aspect non mus\u00e9al, et \u00e9tablit un rapport d’\u00e9gal \u00e0 \u00e9gal avec le public.<\/p>\n
Un regard vers un miroir qui n’en est pas un, mais une perception, toute aussi subjective que l’image que l’on se fait de l’ \u00ab\u00a0autre\u00a0\u00bb.<\/p>\n
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